
“I’m growing old and the world has changed and I have never been truly known.”
Leggy: I finally finished Dream Count. What were your overall thoughts?
Taynement: Definitely not the best we’ve got from Chimamanda.
Leggy: I found the book very disjointed. I have a feeling these are half written characters from her years of writer’s block, and she just made them fit together.
Taynement: For me, I believe the real story she wanted to write was Kadiatou’s story, but it was too close to reality (as it’s based on a true story) and she fit the other stories around it. Kadiatou’s story was distinctly different, and her entire authors note was about Kadiatou’s story.
Leggy: The funny thing is that I was really into the book till I got to Kadiatou’s story and it knocked me out of my rhythm. But I must admit, once I got my bearings, I appreciated it for what it was. Honestly this book felt like a collection of short stories.
Taynement: I think another thing was I recently read Purple Hibiscus, and I couldn’t help but compare the books. While I think Chimamanda is verbose, I give her a pass because this is how she actually speaks.
Leggy: Yeah, I didn’t mind the writing. There were some lines I actually really loved but I completely understand why you find her verbose. Sometimes it’s like do we really need that metaphor there? What did you think about the characters? I liked Zikora the most and I found Chiamaka very annoying and foolish.
Taynement: I was so excited to dive into the many characters, but I found them to be unlikeable. I liked Omelogor’s directness but after a while it just became obnoxious. Zikora had the most depth as a character given the relationship with her mother.
Leggy: I liked Omelogor at first too then I just found her annoying. I also find it very hard to believe that anyone born and raised in Nigeria is going to ever get a Masters in Pornography. Also, her “Dear Men” website never made sense to me. But I really liked her bank story.
Taynement: I think that’s another thing. This book was about women’s dream count and getting closer to their dreams of finding a partner. I wonder if it was intentional to have such shitty men and have these women not find their partners. I’ve seen criticisms that the book is male centered but I’m okay with that because I think it’s okay for women to have the desire to be partnered.
Leggy: I also think that there is no such thing as a Nigerian woman who has successfully decentered men. Because at the end of the day, the society still makes sure your life revolves around them. Even Omelogor who didn’t care about being partnered was still forced to contend with being single because everyone (both her family and friends) reminded her she was single and childless. Her aunty wanted her to consider adoption since she has passed the age of marriage and childbirth even though she never even wanted marriage or kids ever. The society doesn’t let you have a life that doesn’t center men and anyone who says otherwise is living in a fairytale. I’m so tired of people thinking fiction should depict a reality that is aspiration instead of a reality that is.
Taynement: Did you find Omelogor’s sexuality vague? Also, I feel like the ladies’ relationship traumas were had to get behind without an understanding of how we got here. I had no idea why Omelogor couldn’t be in a long-term relationship and had an end date for each man and don’t even get me started with Chiamaka going for low hanging fruit men and leaving the one good man.
Leggy: I didn’t question Omelogor’s sexuality because at that Abuja party if Omelogor wasn’t a 100% straight she would have indulged but she never did. I also think there are people who really can’t be in a long term relationship. I never thought that had anything to do with a trauma. As for Chiamaka, she had an idea in her head as to what love is, that most Nigerian men could never live up to. She admitted at the end that she should have tried harder with Chuka. I would have married him but I think I understand why she sabotaged herself. Someone like her that’s always travelling and thinks she’s so different would have detested the idea of settling down with the very type of person every conventional person was settling with.
Taynement: But she had less with the non Nigerian men so what was the idea?
Leggy: I think Chiamaka was chasing an idea of love that doesn’t exist.
Taynement: Something I asked myself while reading this book is why when a character has a belief, I think it’s a mouthpiece for what Chiamanda is thinking, but I don’t think this way for other authors.
Leggy: Lmaooo. Probably because we don’t personally “follow” other authors. Most authors I like I don’t even know what they look like. I’ve been hate-reading Sally Rooney for years and I’ve never even googled her.
Taynement: Like you said at the beginning of this, I think the biggest flaw of this book was it being disjointed and uneven. I feel like I don’t have a full understanding of the motivations for Chiamaka, Zikora and Omelogor but I completely understood Kadiatou. Chimamanda says it was a mother-daughter story, but I thought Kadiatou and Binta’s story felt secondary.
Leggy: I didn’t get the motivation for the three girls too and I thought there’d be more connections with their stories. But they stayed in their different pockets and barely interacted throughout the book. I wish I had Chiamaka’s life though. I want rich parents who let me travel. I’d date better men though.
Taynement: Yes, a clearer direction for the book would have been focusing on their dynamic. There was already meat there with Zikora and Omelogor. Zikora was so intimidated by her that when she had a breakdown about being single, her one ask to Chia was “don’t tell Omelogor”.
Leggy: Exactly. That’s why I think these are all independently developed characters that she put together, but I think now that she’s done with the cobwebs of her writer’s block, the next one is probably going to be great. I have faith in her.
Taynement: Do you think the America criticisms were heavy handed?
Leggy: Absolutely, very. Especially coming from someone who lives in Abuja and participated in money laundry. That’s the part of the book where I thought was Chiamanda talking. I think it was the after-effects of the backlash she received some years ago, from people who found some of her comments to be transphobic. She felt like it was her own people cannibalizing her and I think that whole section was her rage at that incident.
Taynement: Overall, we can’t take away from Chimamanda’s writing. I liked how the book stayed very Nigerian. I could see the vision, but the execution was rocky. I think we were left with a lot of whys and not in a Kainene type of way.
Leggy: I debated giving this book 4 stars because I actually liked the writing and the individual stories but ultimately, I settled for 3 stars because I just think the overall book was not well executed.
If you have read the book, what did you think?
Taynement and Leggy











